Artworks

Oscillon No. 1143 Negative

Created in 1958 by Ben Laposky

duplicate of an Aero Ektachrome film 4×5 photographic negative “6 21 58 dup 1143” etched into upper margin “oscilloscope by Laposky” etched into right margin “1143 dup” etched into lower margin Laposky used a cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art. These electrical vibrations shown […]


Oscillon No. 1082 Negative

Created in 1958 by Ben Laposky

duplicate of an Aero Ektachrome film 4×5 photographic negative “6 21 58 dup 1082” etched into upper margin “oscilloscope by Laposky” etched into right margin “1082 dup” etched into lower margin Laposky used a cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art. These electrical vibrations shown […]


Oscillon No. 1058 Negative

Created in 1958 by Ben Laposky

duplicate of an Aero Ektachrome film 4×5 photographic negative “9 3 58 dup no.1058” etched into upper margin “oscilloscope by Laposky” etched into right margin “99 1058 dup” etched into lower margin Laposky used a cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art. These electrical vibrations […]


Oscillon No. 1001 Negative

Created in 1959 by Ben Laposky

duplicate of an Aero Ektachrome film 4×5 photographic negative “4 7 59 dup 1001” etched into upper margin “oscilloscope by Laposky” etched into right margin “1001 dup” etched into lower margin Laposky used a cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art. These electrical vibrations shown […]


Cybernetic Serendipity (The Computer and the Arts) Portfolio

Created in 1968 by Masao Kohmura, Makoto Ohtake, Koji Fujino, Maughan Sterling Mason, Kerry Strand, James Shaffer, Charles “Chuck” Csuri, Donald K. Robbins, Kunio Yamanaka, William Alan Fetter

a portfolio containing a colophon page and seven lithographs all after original unique computer-generated plotter drawings in a custom made box printed and published by Motif Editions, London in 1968 each print has the artist name(s), title, date(s), associated university/company/location, and publishing information printed along the lower left edge of the paper 1. CTG – […]


At The Tate #1

Created in 1983 by Harold Cohen

signed and dated lower right in graphite titled lower left in graphite Arches paper company watermark lower left and upper right corners Arches paper company embossment stamped lower left corner one work from Cohen’s “At the Tate” series that was produced onsite during Cohen’s exhibition at the Tate in the summer of 1983. The drawings […]


At The Tate #2

Created in 1983 by Harold Cohen

signed and dated lower right in graphite titled lower left in graphite Arches paper company watermark lower left and upper right corners Arches paper company embossment stamped lower left corner one work from Cohen’s “At the Tate” series that was produced onsite during Cohen’s exhibition at the Tate in the summer of 1983. The drawings […]


Hommage à Paul Klee

Created in 1965 by Frieder Nake

a serigraph after an original unique plotter drawing of the same title artist’s name, computer identifier, and plotter identifier printed lower left hardware: Standard Elektrik Lorenz ER56 software: COMPART ER65 software output machine: Zuse Graphomat Z64 This screenprint was created from a plotter drawing produced using a computer program, or algorithm, written by the artist […]