Da Vinci Series

signed and dated lower left in ink hardware: IBM 7094 output machine: CalComp 565 drum plotter Csuri continued to work with transformations on drawings and created several works based on Leonardo da Vinci’s Vitruvian Man. To do this, Csuri first made a drawing based on Leonardo’s famous sketch. He then invoked the mathematical concept of […]

Da Vinci Series

signed and dated lower left in ink hardware: IBM 7094 output machine: CalComp 565 drum plotter Csuri continued to work with transformations on drawings and created several works based on Leonardo da Vinci’s Vitruvian Man. To do this, Csuri first made a drawing based on Leonardo’s famous sketch. He then invoked the mathematical concept of […]

Da Vinci Series

signed and dated lower right in ink hardware: IBM 7094 output machine: CalComp 565 drum plotter Csuri continued to work with transformations on drawings and created several works based on Leonardo da Vinci’s Vitruvian Man. To do this, Csuri first made a drawing based on Leonardo’s famous sketch. He then invoked the mathematical concept of […]

0804197219H21

a serigraph poster created after an original unique computer generated print that was likely used as a mailing advertisement for the artist’s work signed lower right in graphite numbered lower right corner in print stamped “Don de L’Artist Artist’s Donation” lower left corner “In the first stage of my work, I constructed my research on […]

Unsupervised – Machine Hallucinations – MoMA Dreams – G

edition number 46/100 3384 x 6016 pixels “Unsupervised – Machine Hallucinations – MoMA Dreams” is a series of algorithmic AI data paintings showcasing Refik Anadol’s unique collaboration with machine learning at the intersection of technology and aesthetics. Each image in the series displays a cluster of chosen “dream sequences,” as the artist goes through serendipitous […]

Unsupervised – Machine Hallucinations – MoMA Dreams – I

edition number 56/100 3384 x 6016 pixels “Unsupervised – Machine Hallucinations – MoMA Dreams” is a series of algorithmic AI data paintings showcasing Refik Anadol’s unique collaboration with machine learning at the intersection of technology and aesthetics. Each image in the series displays a cluster of chosen “dream sequences,” as the artist goes through serendipitous […]

Hommage à Barbaud No. 8 (Tribute to Barbaud)

The numbers are a date code: The first set of numbers stands for the year and day that the piece was made. The second set of numbers is the time stamp that the plotter drawing was completed. This code tells us that this piece was drawn and completed at 12:20.08pm on Saturday, October 5th, 1974.

Hommage à Barbaud No. 7 (Tribute to Barbaud)

The numbers are a date code: The first set of numbers stands for the year and day that the piece was made. The second set of numbers is the time stamp that the plotter drawing was completed. This code tells us that this piece was drawn and completed at 12:14.11pm on Saturday, October 5th, 1974.

Hommage à Barbaud No. 6 (Tribute to Barbaud)

The numbers are a date code: The first set of numbers stands for the year and day that the piece was made. The second set of numbers is the time stamp that the plotter drawing was completed. This code tells us that this piece was drawn and completed at 12:09.58pm on Saturday, October 5th, 1974.

Hommage à Barbaud No. 5 (Tribute to Barbaud)

The numbers are a date code: The first set of numbers stands for the year and day that the piece was made. The second set of numbers is the time stamp that the plotter drawing was completed. This code tells us that this piece was drawn and completed at 4:27.21pm on Thursday, September 19th, 1974.