Colette and Charles J. Bangert

Basic Info

Name: Colette and Charles J. Bangert
Country of Origin: US
Website: http://www.fromheretofaraway.com/

Description

Colette and Charles J. Bangert (commonly known as Jeffery) are well-known for their works of algorithmic art, which they produced as a couple. Colette was trained as an artist, while her husband studied mathematics, and later, computer science and programming; the two combined their skills to join the ranks of early innovators within the field.

The Bangerts were married in 1959. Charles Bangert was employed at the University of Kansas, and when the university was given a plotter in 1967, he was asked to test it. Working together, the couple began to experiment graphically with the machine, producing line drawings and signing them CB (Colette-Charles Bangert). The works they produced draw inspiration from landscapes and the natural environment, featuring repetitive patterns with slight variations reminiscent of leaves, trees, grass and other elements spreading across the paper; out of the expanses of repetition spring patterns. As Colette wrote, “A field has no center, and is not really flat, so I use no flat areas. The form of grass as grass, leaves as leaves, is what I’m exploring…Line as form. Grass as form. Grass is also random and random is a natural computer facility. Computer grass is natural grass.”

As the so-called “renaissance” of computer art began in the 1970s, artists and critics became more optimistic about the medium and its ability to unite scientific and cultural learning in order to break out of a normative paradigm; the Bangerts were a part of this movement, and the couple saw the computer as ushering in a new “visual age”. Computers could help by offering new ideas and enriching artistic practice; using a computer and plotter could extend the artist’s physical body to enable production of new and interesting designs. At the same time, as Colette wrote, “without conscious understanding of what a drawing is we could not use the computer as a drawing medium…We ask this new medium questions and get new (and old) answers. But some of the answers were there from the beginning…” The Bangerts’ work thus explores the act of creation, regardless of medium, by utilizing the computer to push the boundaries of praxis.

Colette has continued to create, even after the death of her husband, though in recent years she mostly works in fiber and watercolor. They have an international following, and their work is in collections such as the Victoria and Albert Museum and the Spencer Museum of Art on the campus of the University of Kansas.

 

 

 

Explore Artworks By Colette and Charles J. Bangert

Anne: Pattern Study

signed and dated lower center in ink software name, time, and date printed lower left Crane’s Paper Company watermark visible on the reverse software: ANNE08A http://www.fromheretofaraway.com/Block100.html

Circe: Colored Line Study

signed lower left in ink dated lower right in ink “84-53-comp-r” written in ink lower right software name, date, time, and computer code printed on the paper Crane’s Paper Company watermark visible on the reverse software: CIRCE20C

Anne: Pattern Study

signed and dated lower center in ink software name, time, and date printed lower left corner Crane’s Paper Company watermark visible on the reverse software: ANNE06D http://www.fromheretofaraway.com/Block100.html

Anne: Pattern Study

signed and dated lower center in ink software name, time, and date printed lower right Crane’s Paper Company watermark visible on the reverse software: ANNE08A http://www.fromheretofaraway.com/Block100.html

Anne: Pattern Study

signed and dated lower center in ink software name, time, and date printed lower left corner Crane’s Paper Company watermark visible on the reverse software: ANNE06E http://www.fromheretofaraway.com/Block100.html

Circe’s Window

signed and dated 1986 lower right in ink software name, dated 1985, and time printed lower right edge “85-108-comp-4” written lower right corner in ink Crane’s Paper Company watermark visible on the reverse software: WINDOW03

Circe’s View

signed and dated 1986 lower left in ink software name, date 1/21/84 and time printed lower left edge “86-13-comp-j” written lower right corner in ink Crane’s Paper Company watermark visible on the reverse software: CIRCE35A

Structure Study II

signed and dated 10 77 in ink below the image lower right titled, dated 10-1-77, and “12-layers” written in ink lower left corner of the paper Broomall Industries, INC. mark printed along the bottom edge of the paper hardware: Honeywell 635 digital computer software: DRAW in Fortran IV plotter: University Computing Company Draft-O-Matic

Complex Intersecting Line

signed and dated 11-27-’76 in ink lower left corner of the paper Broomall Industries, INC. mark printed along the right edge of the paper hardware: Honeywell 635 digital computer software: DRAW in Fortran IV plotter: University Computing Company Draft-O-Matic

Line Studies

signed, titled, dated, and numbered 9/10 below the image in graphite Rives BFK paper watermark lower right corner original images created in 1969 using: hardware: Honeywell 635 digital computer software: DRAW in Fortran IV (2) plotter: University Computing Company Draft-O-Matic collaged and printed as a lithographic edition of 10 in 1974

Coiled Line Studies

signed, titled, dated, and numbered 2/10 below the image in graphite Rives BFK paper watermark upper and lower left corners original images created in 1969 using: hardware: Honeywell 635 digital computer software: DRAW in Fortran IV (2) plotter: University Computing Company Draft-O-Matic collaged and printed as a lithographic edition of 10 in 1974

Contained Contours: Red

signed and dated lower left artist’s name, title, medium, and measurements written on artist’s label attached to the back of the frame hardware: Honeywell 635 digital computer software: Fortran IV (2) plotter: University Computing Company¬†Draft-O-Matic