signed and dated lower left in graphite artist’s seal printed in red ink lower right description from direct communication with the artist: “The Diamond Lake Apocalypse series were formatted somewhat like medieval manuscript illuminations. In the late 1980’s I came to view my studio as a 20th Century electronic scriptorium illuminating the codes of our […]

signed and dated lower right in graphite artist’s seal printed in red ink middle right margin description from direct communication with the artist: “Shown at SIGGRAPH in 1997 this work was part of my “Struggle” series that was first shown at Artec’95 in Nagoya Japan. The characters are non-rational strokes generated with coordinates that control […]

signed and dated lower middle titled lower left description from direct communication with the artist: “The text is a Universal Turing Machine in expanded binary. See documentation at: http://www.verostko.com/manchester/manchester.html See also a UTM as a Self Portrait: http://www.verostko.com/u.html Roman’s homage to Alan Turing is the 3rd in a series of works that pay homage to […]

signed and dated lower right artist’s and artist’s wife seals stamped in red ink lower left and upper right description from direct communication with the artist: “The Gaia images are named after “Mother Earth”. Alice gave specific titles to the ones shown in Finland and this one was “Psyche”. See my page on “Seals” for […]

signed and dated lower right titled lower left description from direct communication with the artist: “Linear fields address the attraction and repulsion of opposites – their similarity and their difference are presented simultaneously as “West-East” or “Heaven and Earth”. The form fields simultaneously join and separate. creating a formal dynamic tension The algorithms for this […]

signed and dated lower right in graphite artist’s label adhered to the back of the frame description from direct communication with the artist: “The Diamond Lake Apocalypse series were formatted somewhat like medieval manuscript illuminations. In the late 1980’s I came to view my studio as a 20th Century electronic scriptorium illuminating the codes of […]