Computer Nude (Studies in Perception I)

no visible markings from the large paper edition ___ Computer Nude (Studies in Perception I) is the most widely circulated early artwork made using a computer. It demonstrates the unique capacity of the viewer’s brain to interpret a composition of abstract symbols grouped to emulate areas of tonal value as a human figure. Leon Harmon, a researcher in […]

Life

signed and dated lower right numbered 17/25 lower left hardware: iPad and stylus software: Apple Brushes app output machine: inkjet printer The iPad Drawing prints are created via a touchscreen application (Brushes) from a file exported from Hockney’s iPad as an editable image file to the studio computer. From there we enlarge using image editing […]

Plug

signed and dated lower right numbered 11/25 lower left hardware: iPad and stylus software: Apple Brushes app output machine: inkjet printer The iPad Drawing prints are created via a touchscreen application (Brushes) from a file exported from Hockney’s iPad as an editable image file to the studio computer. From there we enlarge using image editing […]

Inside it Opens Up As Well

signed, dated, and numbered 14/25 lower right in ink hardware: iPad and stylus software: Apple Brushes app output machine: inkjet printer The iPad Drawing prints are created via a touchscreen application (Brushes) from a file exported from Hockney’s iPad as an editable image file to the studio computer. From there we enlarge using image editing […]

Computer Nude (Studies in Perception I)

artist’s names, date, and copyright printed lower right Computer Nude (Studies in Perception I) is the most widely circulated early artwork made using a computer. It demonstrates the unique capacity of the viewer’s brain to interpret a composition of abstract symbols grouped to emulate areas of tonal value as a human figure. Leon Harmon, a researcher in cognitive […]

Self Portrait IV, 25 March 2012

signed and dated lower right in graphite numbered 9/25 lower left in graphite artist’s inkless embossment stamped lower right corner of the paper hardware: iPad and stylus software: Apple Brushes app output machine: inkjet printer The iPad Drawing prints are created via a touchscreen application (Brushes) from a file exported from Hockney’s iPad as an […]

Saint-Victoire: Rien, Peu, Plus (Nothing, Little, More) Triptych

signed, titled, dated, and numbered 3/12 in ink on the reverse of “Rien” titled and numbered 3/12 in ink on the reverse of “Peu” and “Plus” “In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place as exemplified by many of her drawings, works and editions. Of course we think of […]

O’ Sole Mio (My Sunshine)

signature and edition number 1/8 incised into side of the marble “O’ Sole Mio is an engraved Carrara marble sundial mounted on a brushed stainless steel base with a brushed brass rod designed by Vera Molnar.Inclined 45°, placed outdoor and facing North, the sundial shadow projects the universal time hour on the upper end of […]

P-018/mf6-10 Random Walk

a group of five screen prints after original unique computer-generated high resolution light beam plotter drawings signed and dated 6/2/2011 on accompanying certificate of authenticity attached to the back of the frame drawings featured left to right: P-018/mf6, P-018/mf7, P-018/mf8, P-018/mf9, P-018/mf10 original drawings were programed by the artist in 1969 original drawings were printed […]

P-018/mf1-5 Random Walk

a group of five screen prints after original unique computer-generated high resolution light beam plotter drawings signed and dated 6/2/2011 on accompanying certificate of authenticity attached to the back of the frame drawings featured left to right: P-018/mf1, P-018/mf2, P-018/mf3, P-018/mf4, P-018/mf5 original drawings were programed by the artist in 1969 original drawings were printed […]