Peter Beyls

Basic Info

Name: Peter Beyls
Country of Origin: BE
Gallery Representation: Gallery DAM, Berlin, Germany

Description

Beyls develops generative systems in music, the visual arts and hybrid formats. He has published extensively on various aspects of digital media, including on the application of artificial intelligence to artistic pursuits. His work has been widely exhibited and performed at conferences like Siggraph, ICMC, and ISEA.  Beyls conceives of computer media as an active partner in a creative process, a methodology he refers to as “conceptual navigation. Software is written in order to explore ambiguous intentions. Once an idea is formalized in a program, one can evaluate its imaginative potential by way of the feedback that program provides. Since a program reflects the objectives of the artist, programming is considered a method of aesthetic introspection. Software is thus instrumental as a functional, materialist means [to allow] the active manipulation of otherwise purely conceptual constructs.”

Beyls’ pieces have primarily centered on generative systems, including extensive series of machine drawings, interactive music systems that incorporate machine learning, and interactive audiovisual installations. In his work, he grapples with the problem of translating digital and virtual artifacts back into the tangible analog world to make them available as human experiences. To him, “this raises questions of how digital art is connected to the sensual parameters of human physicality and how it can be referenced/understood from the whole of human culture and the massive depth of its history.”

Explore Artworks By Peter Beyls

RP28 Diptych

each signed and dated on the reverse in graphite “A complementary set of two modular drawings exploring emergent pattern-formation from the critical assembly of many small patterns. A single basic micro-pattern is designed and a vocabulary of 8 patterns results through reflection and rotation. The first drawing is computer from an off-center point towards the […]

Untitled (No. 3)

signed and dated in graphite on the back of the paper lower right numbered 3 in graphite on the back of the paper upper right

Untitled (No. 4)

signed in graphite on the back of the paper lower right dated in graphite on the back of the paper lower left numbered 4 in graphite on the back of the paper upper right