Welcome to the BETA version of the Anne and Michael Spalter Digital Art Collection database. Please note that content is a work in progress and should not be used for official purposes of any kind.
signed and dated lower right in ink software name, date, and time printed lower left corner Crane’s Paper Company watermark visible on the reverse software: KATIE11I
signed and dated 1986 lower right in ink software name, dated 1985, and time printed lower right edge “85-108-comp-4” written lower right corner in ink Crane’s Paper Company watermark visible on the reverse software: WINDOW03
signed lower right in ink dated lower left in ink software name, date, and time printed lower left corner Crane’s Paper Company watermark visible on the reverse software: KATIE11I
signed and dated lower center in ink software name, date, and time printed lower left corner Crane’s Paper Company watermark visible on the reverse software: KATIE11I
signed and dated 1986 lower left in ink software name, date 1/21/84 and time printed lower left edge “86-13-comp-j” written lower right corner in ink Crane’s Paper Company watermark visible on the reverse software: CIRCE35A
signed and dated lower right in graphite artist’s name, date, and title printed lower left Grid of solid triangles projected onto a sphere: The 4 possible triangles formed by 2 edges of a square & 1 of its 2 diagonals, randomly chosen at each grid position. Based on my earlier drawing P-128, sphereless, with symbols […]
signed and dated lower right in graphite titled lower left in graphite Arches paper company watermark lower left and upper right corners Arches paper company embossment stamped lower left corner one work from Cohen’s “Arnolfini” series, created using his custom made software AARON, which were produced for his exhibition at the Arnolfini Gallery in Bristol […]
signed and dated lower right in graphite titled lower left in graphite Arches paper company watermark lower left and upper right corners Arches paper company embossment stamped lower left corner one work from Cohen’s “Arnolfini” series, created using his custom made software AARON, which were produced for his exhibition at the Arnolfini Gallery in Bristol […]
