Untitled Proof (from the Art Ex Machina Portfolio)

Basic Information

Title: Untitled Proof (from the Art Ex Machina Portfolio)
Artist(s): Kenneth C. Knowlton
Date Created: 1972
Framed Dimensions: 30.25 x 25.25 in.
Unframed Dimensions: 27.5 x 22.5 in.
Medium:
Inventory ID: Knowlton-1972-01

Description

signed lower right

this work is a unique color trial proof for Knowlton’s work in the Art Ex Machina Portfolio, 1972

 

More Artworks By Kenneth C. Knowlton

Computer Nude (Studies in Perception I)

Created in 1967 by Kenneth C. Knowlton, Leon D. Harmon

no visible markings from the large paper edition ___ Computer Nude (Studies in Perception I) is the most widely circulated early artwork made using a computer. It demonstrates the unique capacity of the viewer’s brain to interpret a composition of abstract symbols grouped to emulate areas of tonal value as a human figure. Leon Harmon, a researcher in […]


Computer Nude (Studies in Perception I)

Created in 1967 by Kenneth C. Knowlton, Leon D. Harmon

artist’s names, date, and copyright printed lower right Computer Nude (Studies in Perception I) is the most widely circulated early artwork made using a computer. It demonstrates the unique capacity of the viewer’s brain to interpret a composition of abstract symbols grouped to emulate areas of tonal value as a human figure. Leon Harmon, a researcher in cognitive […]


Art Ex Machina Portfolio

Created in 1972 by Manfred Mohr, Manuel Barbadillo, Hiroshi Kawano, Kenneth C. Knowlton, Frieder Nake, Georg Nees, Abraham A. Moles

a portfolio of six serigraphs created after original unique computer-generated images the portfolio is housed in a custom made box with the title printed on the front along the left side the portfolio contains: a serigraph printed colophon page that is numbered 197/200 a lithographic introductory text by page Abraham A. Moles that is printed […]