Description courtesy gallery press release:

“one and zero explores how the complexity of the cube in 3, 4, 5, 6 and 11 dimensions, as well as the possibilities of going to even higher dimensions, have influenced Mohr’s practice over the course of forty years. Originally a jazz musician, he compares the cube to a musical instrument and the detailed improvisation that the instrument allows within fixed tonal parameters. His large-scale wall relief – P-499A (1993) – is composed of fifteen unique laser cut steel pieces evolved from Mohr’s investigation into the 6-dimensional hyper-cube.

In 1999, Mohr returned to the use of colour to emphasize and distinguish between subtleties in spatial relationships. P709b1-5 (2002), a large-scale digital painting on canvas shows five views of the 6-D rotation of a hyper-cube revealing an intriguing orchestration of solid greens, blues, purples and pink. More recently, digital technologies have enabled the artist to create works such as P1411-A (2010), in which a generative algorithm based on an 11-dimensional hyper-cube manifests an evolving progression of colour and shape as a screen based real-time computer animation.”