Basic Information
Artist(s):
Title:
Glitchometry Circles #4
Medium:
Surface Size:
36.5 x 36.5 in.
Date Created:
2013
Inventory #:
Temkin-2013-01
Description
excerpt from the artist’s website regarding this work:
“Each image begins as one or a few black squares or circles. They are sonified — imported into an audio editor. Sound effects are added to individual color channels, as if they were sound, transforming the image. Because the tool is used in an unconventional way, there is no immediate way to monitor the effect. The image manipulator has a sense of what each effect does, but no precise control over the result. It is a wrestling with the computer, the results of which are these images. As Curt Cloninger describes databending, “like painting with a very blunt brush that has a mind of its own.” My piece for nooart explains more about this take on the glitch style
They are a selection of the Rhizome ArtBase at the New Museum.
They were developed, in part, at the Alfred IEA Residency and at Signal Culture”
Detail images of the work
signed, titled, and dated verso of each panel in Sharpie 96 x 48″ each 96 x 144″ overall statement provided by the artist: The Dither Studies are created by giving the computer an impossible task: to approximate a solid color using a palette of two complementary colors that will never visually recombine. They are then […]
signed and numbered 1/1 on the back of the paper Dither Studies began with an accident in Photoshop: applying a small color palette to what should have been an empty field of color created instead a complex, seemingly irrational pattern. This was an error diffusion dither: perhaps the fundamental algorithm of digital photography. Applied to […]
Dither Studies began with an accident in Photoshop: applying a small color palette to what should have been an empty field of color created instead a complex, seemingly irrational pattern. This was an error diffusion dither: perhaps the fundamental algorithm of digital photography. Applied to a lack of content: a solid color or gradient, and […]
